. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

One of the best ways to create a hypnotic effect with your story is to use multiple threads. This means opening other stories, within the story you are telling. When you do this, you are creating anticipation and inviting the listener to ask questions, allowing them to become more involved in your story. This is known in NLP as Nested Loops and it is one of the most powerful techniques you can use to really attract people to your story.

Don’t rush to finish your story. Instead, allow it to branch out into other areas. It is interesting to listen to the best storytellers every time they tell the same story, because there are always different elements and tangents. The joke is not the point: the whole experience is what makes an amazing story. With many master storytellers, the point is never the joke.

They can explore different areas of the story to build anticipation and intrigue and wait for the listener to take them back to an element of the main story. It is important that when you are telling your story indirectly you leave unanswered questions in the minds of the listeners.

By opening different threads when you tell your story, you can easily convey your value and attractive qualities. Remember, the goal of your story is to increase your value and highlight your good qualities. By practicing this tool, you can keep people fascinated for hours. It is a secret known to all the great public speakers. Below is an example of how to open different threads to bring the conversation to the areas you want to highlight.

“Actually, I remember where I saw her now … I was walking in the park with my ex-girlfriend Sinead last week and I saw this really fat man, I mean, this guy must have been at least 200kg, and he was talking to park manager … He definitely looked foreign and was walking with the most amazing dog I had ever seen …

Topic one: “When I was young I used to work on my uncle’s farm in the summer and I love animals … I mean, I’m one of those guys who can talk to horses and I’ve been around animals my whole life. … For my birthday … “

“So I walked over and leaned over to pet the dog … After a few seconds, the fat man turned around and said

OMG this dog never lets anyone pet him except me

I think he was amazed, but also a little hurt that his dog let someone pet him … So I explained to him that about working with animals on my uncle’s farm and how I absolutely love animals … “

Thread two: “Since I moved to the city, I was busy because I started working in a new school and I want to settle into my new job …” Actually, it is a very nice school and … “

“After a few minutes, we all decided to go for coffee because I was quite tired from the night before and needed a little energy … The boy was really very nice and we had a great chat … I found out that he was from Germany and I was going to live in Berlin again in two weeks … “

Thread Three – “In fact, I was working in the same hotel I had stayed in when I visited Berlin 3 years ago … It was a really amazing city.”

The example above shows you how to implement different threads in your story. You can experiment and open different threads based on your story. It is imperative to configure the thread as this allows the story to continue smoothly and naturally. Once you have mastered this skill, you will drift into whatever area you choose, and in doing so, you will easily incorporate its attractive qualities.

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